Series depicting the journey of the ‘participants’.
Extract from the exhibition 'Disorder' curated by Maria Irene Vario
Milan, Italy July 2016
The relationship between order and disorder , the painted texture or generally work as generator matrix . Disorder, relative to the origin of the painting , as texture or lines on which it is part , in general the relationship between order and disorder that finds balance in the work . In this exhibition we want to highlight the prevalence of the disorder in the works of some artists , which denotes dissatisfaction, willingness to denunciation of something unjust , that upsets the ordinary view of things , and suggests . The everyday , the recurrence of actions are always the same , the move in contexts unsuitable to the welfare , creates alienation and dissatisfaction in humans . Even a messy way of life , outside the conventions , generates an annoying disorder, which can also be taken positively , if we pause to reflect on the meaning , as a form of protest , reaction , in order to change something and live in a better world.
Milan, Italy July 2016
The relationship between order and disorder , the painted texture or generally work as generator matrix . Disorder, relative to the origin of the painting , as texture or lines on which it is part , in general the relationship between order and disorder that finds balance in the work . In this exhibition we want to highlight the prevalence of the disorder in the works of some artists , which denotes dissatisfaction, willingness to denunciation of something unjust , that upsets the ordinary view of things , and suggests . The everyday , the recurrence of actions are always the same , the move in contexts unsuitable to the welfare , creates alienation and dissatisfaction in humans . Even a messy way of life , outside the conventions , generates an annoying disorder, which can also be taken positively , if we pause to reflect on the meaning , as a form of protest , reaction , in order to change something and live in a better world.